COLONY PRESENTS:
JIM KWESKIN +
HAPPY TRAUM
SUNDAY 6.24.18
$20 ADV / $25 DOS
DOORS: 7PM / SHOW: 8PM
BUY ADV TIX HERE: http://colonywoodstock.ticketfly.com/
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JIM KWESKIN
(www.jimkweskin.com/)
Jim Kweskin created one of the bedrock guitar styles of the folk revival, adapting the ragtime-blues fingerpicking of artists like Blind Boy Fuller to the more complex chords of pop and jazz.
He is most notable as the founder of the Jim Kweskin Jug Band, also known as Jim Kweskin and the Jug Band, with Fritz Richmond, Geoff Muldaur, Bob Siggins and Bruno Wolfe. They were active in Boston in the 1960s. Maria D’Amato, known after her marriage to Geoff Muldaur as Maria Muldaur, formerly with the Even Dozen Jug Band, joined the band in 1963. During the five years they were together, the jugband successfully modernized the sounds of pre–World War II rural music. Kweskin released six albums and two greatest hits compilations on Vanguard Records between 1963 and 1970; Jim Kweskin’s America on Reprise Records in 1971; and four albums on Mountain Railroad Records between 1978 and 1987. Kweskin is probably best known as a singer and bandleader, but he is also known for his guitar stylings, adapting the ragtime-blues fingerpicking of artists like Blind Boy Fuller and Mississippi John Hurt, while incorporating more sophisticated jazz and blues stylings into the mix. In 2013, the band held a reunion tour that included Jim Kweskin, Maria Muldaur, Geoff Muldaur, Richard Greene, Bill Keith, Cindy Cashdollar and Sam Bevan, most of whom were amongst its original members.
He has maintained a remarkably consistent musical vision since his jug band days, continuing to explore traditional folk and blues with the sophisticated sensibility of a jazz musician and jazz with the communal simplicity of a folk artist. He has recorded solo ventures, as a member of the U and I band, and with U and I bandmate Samoa Wilson, and continues to perform widely in various formats.
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HAPPY TRAUM
(http://www.happytraum.com)
Happy Traum was smitten by American folk music as a teenager and began playing guitar and 5-string banjo. He was an active participant of the legendary Washington Square/Greenwich Village folk scene of the 1950s and ‘60s, and studied guitar with the famed blues master, Brownie McGhee. Over the past five decades he has performed extensively throughout the U.S., Canada, Europe, Australia, and Japan, both as a soloist and as a member of various groups. His avid interest in traditional and contemporary music has brought him recognition as a performer, writer, editor, session musician, folklorist, teacher and recording artist.
Happy’s first appearance in a recording studio was at a historic session in 1963 when a group of young folk musicians, including Bob Dylan, Phil Ochs, Pete Seeger, Peter LaFarge and The Freedom Singers gathered in Folkways Records’ studio for an album called Broadsides. Happy with his group, the New World Singers, cut the first recorded version of “Blowin’ In The Wind”, and Happy sang a duet with Dylan on his anti-war song “Let Me Die in My Footsteps.” (These tracks were re-released in August, 2000 by Smithsonian/Folkways Recordings as part of a boxed set, “The Best of Broadsides 1962 – 1988: Anthems from the American Underground.”
The New World Singers (Happy, Bob Cohen and Gil Turner) soon recorded an album for Atlantic Records, with liner notes by Bob Dylan, and released a single of the first recorded version of “Don’t Think Twice, It’s All Right.” The group toured folk clubs throughout the U.S. and Canada, including several stints at Gerde’s Folk City and the Bitter End in the Village, the Riverboat in Toronto and the Gate of Horn in Chicago.
